| Local Artists | |
The local community is home to a large number
of Artists. The following are brief details on some of our local artists. |
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| Lyn Bergquist. Mobile 021:930:747 Email: artdept@ihug.co.nz lyn@artworksguide.co.nz Represented by Oedipus Rex Gallery Direct Commissions accepted, all other sales through my Gallery |
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| Web site Links: http://homepages.ihug.co.nz/~artdept http://www.artworksguide.co.nz |
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| Miriam Cameron Miriam is a New Zeland Expressionist painter, working mainly in oils and acrylics. |
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| email : miriam@quality.co.nz | Red Stream at Stoney Crossing Chatham Is. 1998 |
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| Peter Lange Peter's current work is traditional wheel-thrown domestic ware - salt-glazed. From time to time he has worked on slip-cast sculptural pieces, with super-realistic effects. |
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| Currently he is running the Auckland Studio Potters Teaching
Centre at Captain Springs Rd, Onehunga. His work is available through the Centre Ph: (09) 634 3622 |
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| Barry Lett Barry was born in Hastings. He studied at Elam School of Fine Arts in 1964. Barry has had numerous solo and group exhibitions, most recently at Artis (Auckland), Sargent Art Gallery (Wanganui), and Small Woods, Bowen galleries in Wellington. Barry's works are held in the collections of: Auckland City Art Gallery; Te Papa; Aotea Centre; Bath House (Rororua); Dowse Art Mueseum (Lower Hutt);and the Sargent Gallery in Wanganui. Barry accepts direct commissions, and can be contacted through the EPNA email. |
![]() Man with Flowers 1998 An example of a recent wall sculpture. |
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| Raewyn Turner Raewyn grew up in Hawkes Bay, and studied painting at Elam for 4 years. She has lived and worked in the UK, USA, Europe and Australia, returning to NZ five years ago. She exhibits regularly in Australia and New Zealand. |
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| These works are from a series of digital images called Cycle
Engines. "In my last exhibition the Cycle Engine images were large, spinning, light
images projected onto embroidered paintings on the walls of a darkened room; The images
worked as experiential, kaleidescopic mandalas. They were sourced from my paintings on
household linen and d'oillies which were embroidered by European women during the early
years of this century. "Pattern and interweave, not unlike that of Maori or other
Oceanic cultures, suggests linkage and continuum; sustained intuition; descent and
kinship; and unity in Spirit..."(1) The underlying geometrical rhythms of the
painting and embroideries have been elaborated and further developed in digital form,
linking multiplicities of consciousness from different times and places. In retaining the
original circular d'oilly shape and the patterns of the embroideries the images are
reminiscent of Buddhist mandala, Polish paper cuts, and Polynesian body ornament;
similar circular designs are found in many cultures." ((1) Don Binney -The Call of the Wild Goose, Exploring Celtic Spirituality) |
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| Raewyn has used
coloured light to unusual and celebrated effect, firstly worldwide with Split Enz and later with orchestras, contemporary music performance, jazz concerts, contemporary and experimental dance, and theatre, in Australia, and in live performances internationally. She is currently working in collaboration with choreographer Mary Jane O'Reilly. |
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| Direct commissions accepted and studio visits by appointment welcomed. Raewyn can be contacted through the EPNA email. | |
| Paul Woodruffe. Paul has exhibited at many Auckland Galleries: John Leech Gallery 1984-87 Star Gallery 1988-90 Chiaroscuro 1992 ASB Cebtre 1994,96 Soliloquy 1998 |
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| Paul also has works in the following collections: Lion Nathan,
Fletcher Challenge, Wallace Arts Trust, Auckland City Council, French Cultural Embasy. Direct Commissions accepted. (contact via EPNA Webmaster) |
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